[ English ]

If you commit to using this scheme you must have a vast bankroll and superior discipline to walk away when you generate a tiny success. For the benefit of this essay, an example buy in of $2,000 is used.

The Horn Bet numbers are certainly not seen as the "winning way to play" and the horn bet itself has a house advantage of over 12 %.

All you are betting is $5 on the pass line and a single number from the horn. It does not matter whether it is a "craps" or "yo" as long as you play it at all times. The Yo is more dominant with people using this approach for obvious reasons.

Buy in for $2,000 when you join the table but put only five dollars on the passline and one dollar on one of the 2, three, 11, or twelve. If it wins, great, if it loses press to $2. If it does not win again, press to $4 and continue on to eight dollars, then to sixteen dollars and following that add a one dollar each subsequent wager. Each time you lose, bet the previous amount plus one more dollar.

Employing this approach, if for instance after 15 tosses, the number you bet on (11) hasn’t been tosses, you likely should go away. However, this is what might develop.

On the tenth toss, you have a sum of $126 in the game and the YO finally hits, you gain three hundred and fifteen dollars with a profit of one hundred and eighty nine dollars. Now is a perfect time to walk away as it is more than what you entered the table with.

If the YO does not hit until the twentieth roll, you will have a complete bet of $391 and seeing as current action is at $31, you come away with $465 with your take of $74.

As you can see, using this approach with only a one dollar "press," your profit margin becomes tinier the longer you wager on without succeeding. That is why you have to march away after a win or you have to bet a "full press" once more and then advance on with the $1.00 mark up with each toss.

Crunch some numbers at home before you try this so you are very familiar at when this scheme becomes a losing affair instead of a profitable one.